'I'm very proud of having worked with one of the finest minds of India and Indian cinema.'
'Whenever you see him on television or anywhere else, he gives off grandfatherly vibes.'
If anyone thinks that the Golden Globes are insignificant, the Hollywood studios are out to prove them wrong.
The Hollywood superstar and the Bollywood superstar are probably planning a film together.
Sye Raa Narasimha Reddy is a larger-than-life spectacle that deserves a theatre viewing, feels Karan Sanjay Shah.
'He had a continuing interest in life, people, and the society in which he lived,' remembers Shyam Benegal, who collaborated with the polyglot playwright and actor through the 1970s and remained his friend for more than five decades.
Neeraj Pandey, who has written and directed the films A Wednesday and Special 26, has written a novel called Ghalib Danger.
'Kriti Sanon is a superb actress, she looks Maharashtrian, and has not done a historical either.' 'Sanjay Dutt has gone to another level of persona. He hasn't done a historical either.'
The curse of stardom, especially in a country like India -- which wants its Gods to be tidy and punctilious -- is that stardom forces you to stop exploring the frozen sea inside you, and instead inspires you more and more to perform out of a small puddle, observes Sreehari Nair.
Keeping it short and so sweet at the 90th Annual Academy Awards.
'Amitabh practised Rang Barse well; the singing, movements, everything. And he got the inflections perfectly.'
Vidya Balan's Kahaani was a huge hit so much was expected of the remake. Unfortunately, Nee Enge En Anbe is not in the same league.
Aseem Chhabra is impressed by Rima Das's Bulbul Can Sing, Ritesh Batra's Photograph and eight other outstanding films.
Did the human drama provoked by the Japanese invasion of Burma and the Indian exodus from Rangoon inspire director Vishal Bhardwaj's forthcoming epic?
'Raj and DK have taken the effort to look at Moosa as a person.' 'Like, what happened to him?' 'What made him become a terrorist?' 'The emotional trauma that he might have had... that clicked for me.'
AR Murugadoss talks about Akira, Sonakshi Sinha and much more!
'Go against society and people for that.' 'You don't have to be politically correct always.'
Advait Chandan decodes Aamir Khan.
It may not have the finish of the original but when you look at the bigger picture, Anil Kapoor's new television show 24 is a step in a desperately needed direction.
Sukanya Verma shares her exciting filmi week with us!
Sreehari Nair presents his Top 20 movies of the decade.
Director Krish (Krish Jagarlamudi) makes his Hindi debut with Akshay Kumar starrer Gabbar Is Back.
Arthur J Pais interviews John Madden, director of the Marigold Hotel films, on the difficult task of creating an equally hilarious and as feeling a sequel.
Here are Aseem Chhabra's picks -- 'films that mattered to me, entertained me and will stay with me through the year.'
'I don't prepare (for a character), I become it. I don't have to think about a character too much, I become it. I give a lot of attention to detailing. Once I become the character, I go and deliver the scene.' Aishwarya Rai Bachchan gives us an insight into her life.
'Today if you look at the way India is growing many people are saying the sleeping elephant has finally woken up, is dancing!' 'I have travelled extensively, in about 60 countries. In all these the moment you say India, the first thing they mention is either an actor's name. Or they start humming a song.' 'I wanted to be in Bollywood. It is the most powerful medium we have in this country. That's soft power.' Listening in on Shobhaa De, Kabir Khan, Vikas Swarop and Saffron Art CEO Hugo Weihe speak on India's Soft Power, Hard Influence.
